I've loved director Kathryn Bigelow, who is like a 6'-tall real life version of one of James Cameron's butt-kicking babes (she's one of Cameron's countless ex-wives), since 1991's "Point Break," which featured a hat-trick of Hollywood's most cerebral-looking leading men — Keanu Reeves, Patrick Swayze, and Gary Busey — as surfing bankrobbers.
Bigelow's shtick is a little like Patti Smith's or Chrissie Hynde's in rock music a generation ago: being an admiring but slightly astounded outside observer of masculinity at its most unhinged.